Rhythm, Affordance, Recording, and the Ontology of Performance: New Frontiers for Musicology
Early researchElectronic dance music as a phenomenon began in the 1980s, and people began to think about it academically in the 1990s. The first people to do so were primarily sociologists, as well as scholars in cultural studies. That also reflects the general history of the study of popular music...
Uloženo v:
| Hlavní autoři: | , , |
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| Médium: | Artigo |
| Jazyk: | Inglês |
| Vydáno: |
Presses universitaires de Rennes
2019
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| Témata: | |
| On-line přístup: | https://doi.org/10.4000/volume.6564 https://hdl.handle.net/20.500.13089/ltn6 https://journals.openedition.org/volume/6564 |
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