Rhythm, Affordance, Recording, and the Ontology of Performance: New Frontiers for Musicology

Early researchElectronic dance music as a phenomenon began in the 1980s, and people began to think about it academically in the 1990s. The first people to do so were primarily sociologists, as well as scholars in cultural studies. That also reflects the general history of the study of popular music...

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Detalhes bibliográficos

Principais autores:	Butler, Mark J., Bacot, Baptiste, Parent, Emmanuel
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Presses universitaires de Rennes 2019
Assuntos:	technologies / dispositifs ontologie échantillonnage / sampling / Djing disque / vinyle / phonogramme clubs / boîtes de nuit reproduction / reproductibilité technologies / devices sampling / Djing ontology phonograms / gramophones / vinyls nightclubs reproduction / reproducibility
Acesso em linha:	https://doi.org/10.4000/volume.6564 https://hdl.handle.net/20.500.13089/ltn6 https://journals.openedition.org/volume/6564
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