Warm Bitch: The Practice of Bootlegging as a Clash of Club Sound Cultures

This text deals with a phenomenon called Bastard Pop, Mash-up or Bootlegging as a subversive political and collective practice. Although sampling techniques (e.g. in R’n’B or House Music) have enabled the mixing of different styles of music for the dancefloor this has never been done in such a radic...

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Detalhes bibliográficos

Autor principal:	Richard, Birgit
Formato:	Artigo
Idioma:	Inglês
Publicado em:	Presses universitaires de Rennes 2004
Assuntos:	internet enregistrement / montage / production échantillonnage / sampling / Djing contestation / transgression / révolte clubs / boîtes de nuit peer-to-peer / partage de fichiers droits d’auteur / propriété intellectuelle / copyright bootleg / piratage / contrefaçon sampling / Djing recording / editing / production protest / transgression / revolt nightclubs peer-to-peer / filesharing copyright / intellectual property bootlegging / piracy / counterfeiting
Acesso em linha:	https://doi.org/10.4000/volume.2071 https://hdl.handle.net/20.500.13089/lt4f https://journals.openedition.org/volume/2071
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