Warm Bitch: The Practice of Bootlegging as a Clash of Club Sound Cultures

This text deals with a phenomenon called Bastard Pop, Mash-up or Bootlegging as a subversive political and collective practice. Although sampling techniques (e.g. in R’n’B or House Music) have enabled the mixing of different styles of music for the dancefloor this has never been done in such a radic...

詳細記述

書誌詳細

第一著者:	Richard, Birgit
フォーマット:	Artigo
言語:	Inglês
出版事項:	Presses universitaires de Rennes 2004
主題:	internet enregistrement / montage / production échantillonnage / sampling / Djing contestation / transgression / révolte clubs / boîtes de nuit peer-to-peer / partage de fichiers droits d’auteur / propriété intellectuelle / copyright bootleg / piratage / contrefaçon sampling / Djing recording / editing / production protest / transgression / revolt nightclubs peer-to-peer / filesharing copyright / intellectual property bootlegging / piracy / counterfeiting
オンライン･アクセス:	https://doi.org/10.4000/volume.2071 https://hdl.handle.net/20.500.13089/lt4f https://journals.openedition.org/volume/2071
タグ:	タグ追加 タグなし, このレコードへの初めてのタグを付けませんか!