“L’impromptu” di Ionesco
The paper analyses the relationship established by Eugène Ionesco, one of the foremost figures of twentieth-century theatrical neo-avant-garde, with Molière, through the act of remaking his Impromptu de Versailles into Impromptu de l’Alma. A remake that was not meant as a rewriting but as a way to f...
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| Natura: | Artigo |
| Lingua: | Italiano |
| Pubblicazione: |
Rosenberg & Sellier
2023
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| Accesso online: | https://doi.org/10.4000/studifrancesi.53590 https://hdl.handle.net/20.500.13089/kxmw https://journals.openedition.org/studifrancesi/53590 |
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