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“L’impromptu” di Ionesco

The paper analyses the relationship established by Eugène Ionesco, one of the foremost figures of twentieth-century theatrical neo-avant-garde, with Molière, through the act of remaking his Impromptu de Versailles into Impromptu de l’Alma. A remake that was not meant as a rewriting but as a way to f...

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書目詳細資料
主要作者: Bosco, Gabriella
格式: Artigo
語言:Italiano
出版: Rosenberg & Sellier 2023
在線閱讀:https://doi.org/10.4000/studifrancesi.53590
https://hdl.handle.net/20.500.13089/kxmw
https://journals.openedition.org/studifrancesi/53590
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