The Reversed Canvas: A Topos of Conflict Between Commercial and Aesthetic Values in Nineteenth-Century Paris and London
This chapter concerns the double valency of commercial and aesthetic values in reversed paintings depicted in nineteenth-century French and British paintings and cartoons of academic juries. My concern is not with actual backs of paintings, but with representations of them on the rectos of actual pa...
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| Autore principale: | |
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| Natura: | Artigo |
| Lingua: | Inglês |
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Centre de recherche VALE
2023
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| Accesso online: | https://doi.org/10.4000/sillagescritiques.15019 https://hdl.handle.net/20.500.13089/kq7q https://journals.openedition.org/sillagescritiques/15019 |
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