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The Reversed Canvas: A Topos of Conflict Between Commercial and Aesthetic Values in Nineteenth-Century Paris and London

This chapter concerns the double valency of commercial and aesthetic values in reversed paintings depicted in nineteenth-century French and British paintings and cartoons of academic juries. My concern is not with actual backs of paintings, but with representations of them on the rectos of actual pa...

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Bibliografische gegevens
Hoofdauteur: Read, Richard
Formaat: Artigo
Taal:Inglês
Gepubliceerd in: Centre de recherche VALE 2023
Onderwerpen:
Online toegang:https://doi.org/10.4000/sillagescritiques.15019
https://hdl.handle.net/20.500.13089/kq7q
https://journals.openedition.org/sillagescritiques/15019
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