Duncan’s Open Form and Cagean Intermedia: The Practice of “Theatre” After Black Mountain

What is Duncan’s allusion to John Cage’s “open scales” doing at the end of “Passages 17”? Roughly contemporaneous with Jack Spicer’s “Poetry as Magic” workshop, Charles Olson’s west coast delivery of the Special View of History lectures and Duncan’s staging of Medea at Colchis were Cage’s classes on...

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Hlavní autor:	Alexander, Edward
Médium:	Artigo
Jazyk:	Inglês
Vydáno:	Centre de recherche VALE 2020
Témata:	théâtre intermédialité Poésie forme ouverte Black Mountain Antonin Artaud John Cage Theatre Poetry Open Form Intermedia
On-line přístup:	https://doi.org/10.4000/sillagescritiques.10156 https://hdl.handle.net/20.500.13089/kq5m https://journals.openedition.org/sillagescritiques/10156
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