Duncan’s Open Form and Cagean Intermedia: The Practice of “Theatre” After Black Mountain
What is Duncan’s allusion to John Cage’s “open scales” doing at the end of “Passages 17”? Roughly contemporaneous with Jack Spicer’s “Poetry as Magic” workshop, Charles Olson’s west coast delivery of the Special View of History lectures and Duncan’s staging of Medea at Colchis were Cage’s classes on...
Kaydedildi:
| Yazar: | |
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| Materyal Türü: | Artigo |
| Dil: | Inglês |
| Baskı/Yayın Bilgisi: |
Centre de recherche VALE
2020
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| Konular: | |
| Online Erişim: | https://doi.org/10.4000/sillagescritiques.10156 https://hdl.handle.net/20.500.13089/kq5m https://journals.openedition.org/sillagescritiques/10156 |
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