History and Anonymity in Ezra Pound’s Documentary Method
Pound’s composition of the Malatesta Cantos in 1922 and 1923 is perhaps the event of his time in Paris to which critics have most frequently returned over the past few decades. For scholars interested in the formal development of The Cantos, at any rate, the composition of these poems has come to se...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Centre de recherche VALE
2003
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| Accesso online: | https://doi.org/10.4000/sillagescritiques.4149 https://hdl.handle.net/20.500.13089/kq1w https://journals.openedition.org/sillagescritiques/4149 |
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