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History and Anonymity in Ezra Pound’s Documentary Method

Pound’s composition of the Malatesta Cantos in 1922 and 1923 is perhaps the event of his time in Paris to which critics have most frequently returned over the past few decades. For scholars interested in the formal development of The Cantos, at any rate, the composition of these poems has come to se...

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Autor principal: Eyck, David Ten
Format: Artigo
Idioma:Inglês
Publicat: Centre de recherche VALE 2003
Accés en línia:https://doi.org/10.4000/sillagescritiques.4149
https://hdl.handle.net/20.500.13089/kq1w
https://journals.openedition.org/sillagescritiques/4149
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