‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man Macbeth
Contemporary one-person productions are vastly different from how an ensemble of players performed Shakespearean tragedy in early modern England. However, I argue that a recent staging of Macbeth, produced by the Lincoln Center Festival and starring Alan Cumming (2013), is a constructive tool to con...
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| Format: | Artigo |
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Société Française Shakespeare
2021
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| Online adgang: | https://doi.org/10.4000/shakespeare.6104 https://hdl.handle.net/20.500.13089/kovq https://journals.openedition.org/shakespeare/6104 |
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