‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man Macbeth

Contemporary one-person productions are vastly different from how an ensemble of players performed Shakespearean tragedy in early modern England. However, I argue that a recent staging of Macbeth, produced by the Lincoln Center Festival and starring Alan Cumming (2013), is a constructive tool to con...

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Xehetasun bibliografikoak

Egile nagusia:	Gilovich-Wave, Ilana
Formatua:	Artigo
Argitaratua:	Société Française Shakespeare 2021
Gaiak:	folie tragédie genre Shakespeare représentation théâtrale incarnation tragedy performance gender embodiment madness
Sarrera elektronikoa:	https://doi.org/10.4000/shakespeare.6104 https://hdl.handle.net/20.500.13089/kovq https://journals.openedition.org/shakespeare/6104
Etiketak:	Etiketa erantsi Etiketarik gabe, Izan zaitez lehena erregistro honi etiketa jartzen!