“Quick Comedians”: Mary Sidney, Samuel Daniel and the Theatrum Mundi in Shakespeare’s Antony and Cleopatra

Critical discussions of Cleopatra’s resonance in Renaissance drama have long been dominated by Shakespeare’s Antony and Cleopatra, a trend that has often marginalised Mary Sidney’s play, The Tragedy of Antonie, as well as its source, Robert Garnier’s Marc Antoine, and its sequel, Samuel Daniel’s Cle...

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Bibliografische Detailangaben

1. Verfasser:	Cadman, Daniel
Format:	Artigo
Sprache:	Inglês
Veröffentlicht:	Société Française Shakespeare 2015
Schlagworte:	Antoine et Cléopâtre Daniel Samuel Sidney Mary métathéâtre theatrum mundi Antony and Cleopatra metatheatre
Online-Zugang:	https://doi.org/10.4000/shakespeare.3536 https://hdl.handle.net/20.500.13089/kotr https://journals.openedition.org/shakespeare/3536
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