“Quick Comedians”: Mary Sidney, Samuel Daniel and the Theatrum Mundi in Shakespeare’s Antony and Cleopatra
Critical discussions of Cleopatra’s resonance in Renaissance drama have long been dominated by Shakespeare’s Antony and Cleopatra, a trend that has often marginalised Mary Sidney’s play, The Tragedy of Antonie, as well as its source, Robert Garnier’s Marc Antoine, and its sequel, Samuel Daniel’s Cle...
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| 格式: | Artigo |
| 語言: | Inglês |
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Société Française Shakespeare
2015
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| 在線閱讀: | https://doi.org/10.4000/shakespeare.3536 https://hdl.handle.net/20.500.13089/kotr https://journals.openedition.org/shakespeare/3536 |
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