“The Theatre of the Invisible-Made-Visible”: Shakespeare and the Politics of Perception

When Prospero commands Ariel, “Be subject to no sight but thine and mine, invisible / To every eyeball else”, the audience beholds personifications of the constraints that invisibly determine their lives too. The effect of such visualizing strategies is to empower the audience by revealing the unsee...

ver descrição completa

Na minha lista:
Detalhes bibliográficos
Autor principal: Ryan, Kiernan
Formato: Artigo
Idioma:Inglês
Publicado em: Société Française Shakespeare 2015
Assuntos:
Macbeth
Much Ado About Nothing
Measure for Measure
politics
aesthetics
Midsummer Night’s Dream (A)
Althusser Louis
Brook Peter
invisibility
perception
Rancière Jacques
Tempest (The)
visibility
politique
esthétique
Tempête (La)
Beaucoup de bruit pour rien
Songe d’une nuit d’été (Le)
invisibilité
Mesure pour Mesure
visibilité
Acesso em linha:https://doi.org/10.4000/shakespeare.3365
https://hdl.handle.net/20.500.13089/koth
https://journals.openedition.org/shakespeare/3365
Tags: Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!

Registos relacionados