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“The Theatre of the Invisible-Made-Visible”: Shakespeare and the Politics of Perception
When Prospero commands Ariel, “Be subject to no sight but thine and mine, invisible / To every eyeball else”, the audience beholds personifications of the constraints that invisibly determine their lives too. The effect of such visualizing strategies is to empower the audience by revealing the unsee...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Société Française Shakespeare
2015
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| Matèries: | |
| Accés en línia: | https://doi.org/10.4000/shakespeare.3365 https://hdl.handle.net/20.500.13089/koth https://journals.openedition.org/shakespeare/3365 |
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