Naming is Dominating? Universalization of theater and epistemic silencing about Afro-Brazilian scenic manifestations

By considering theater as one of the many scenic manifestations of humanity, this textual digression intends to denaturalize its universalization by placing it in the historical and cultural context of the Brazilian colonization process. Based on studies on epistemic racism and aesthetic racism, it...

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Λεπτομέρειες βιβλιογραφικής εγγραφής

Κύριος συγγραφέας:	Dumas, Alexandra Gouvêa
Μορφή:	Artigo
Γλώσσα:	Inglês
Έκδοση:	Universidade Federal do Rio Grande do Sul (UFRGS) 2022
Θέματα:	théâtre et colonisation cultures afro-populaires arts du spectacle et décolonialité racisme épistémique theater and colonization afro-popular cultures performing arts and decoloniality epistemic racism teatro e colonização culturas afro-populares artes cênicas e decolonialidade racismo epistêmico
Διαθέσιμο Online:	https://hdl.handle.net/20.500.13089/jhek https://journals.openedition.org/rbep/2261
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