Naming is Dominating? Universalization of theater and epistemic silencing about Afro-Brazilian scenic manifestations

By considering theater as one of the many scenic manifestations of humanity, this textual digression intends to denaturalize its universalization by placing it in the historical and cultural context of the Brazilian colonization process. Based on studies on epistemic racism and aesthetic racism, it...

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Detalles Bibliográficos

Autor principal:	Dumas, Alexandra Gouvêa
Formato:	Artigo
Lenguaje:	Inglês
Publicado:	Universidade Federal do Rio Grande do Sul (UFRGS) 2022
Materias:	théâtre et colonisation cultures afro-populaires arts du spectacle et décolonialité racisme épistémique theater and colonization afro-popular cultures performing arts and decoloniality epistemic racism teatro e colonização culturas afro-populares artes cênicas e decolonialidade racismo epistêmico
Acceso en línea:	https://hdl.handle.net/20.500.13089/jhek https://journals.openedition.org/rbep/2261
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