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“Cries and cracks”: “animal” rhythms in Ezra Pound’s translations from Arnaut Daniel

This article looks at Ezra Pound’s translation of the troubadour Arnaut Daniel’s canso “L’aura amara” as a way of studying what Pound’s practice of translation shows us about his conception and practice of rhythm. According to Pound, the interest in Daniel’s canso lies in its onomatopoeia, its imita...

Ausführliche Beschreibung

Gespeichert in:
Bibliografische Detailangaben
1. Verfasser: Eastman, Andrew
Format: Artigo
Sprache:Inglês
Veröffentlicht: Presses Sorbonne Nouvelle 2014
Schlagworte:
Online-Zugang:https://doi.org/10.4000/palimpsestes.2038
https://hdl.handle.net/20.500.13089/iut2
https://journals.openedition.org/palimpsestes/2038
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