“Cries and cracks”: “animal” rhythms in Ezra Pound’s translations from Arnaut Daniel
This article looks at Ezra Pound’s translation of the troubadour Arnaut Daniel’s canso “L’aura amara” as a way of studying what Pound’s practice of translation shows us about his conception and practice of rhythm. According to Pound, the interest in Daniel’s canso lies in its onomatopoeia, its imita...
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| Médium: | Artigo |
| Jazyk: | Inglês |
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Presses Sorbonne Nouvelle
2014
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| On-line přístup: | https://doi.org/10.4000/palimpsestes.2038 https://hdl.handle.net/20.500.13089/iut2 https://journals.openedition.org/palimpsestes/2038 |
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