Remote Control: Censoring Diasporic Identities in Atom Egoyan’s Films
In Atom Egoyan’s films, the practice of home movies and the use of VCRs often signify the emergence of repressed representations associated with unacknowledged urges. Protagonists are involved in complex negotiations over definitions of identities that combine the sexual, the national and the aesthe...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Presses universitaires de Rennes
2013
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| Acesso em linha: | https://doi.org/10.4000/lisa.5554 https://hdl.handle.net/20.500.13089/i1a0 https://journals.openedition.org/lisa/5554 |
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