Remote Control: Censoring Diasporic Identities in Atom Egoyan’s Films

In Atom Egoyan’s films, the practice of home movies and the use of VCRs often signify the emergence of repressed representations associated with unacknowledged urges. Protagonists are involved in complex negotiations over definitions of identities that combine the sexual, the national and the aesthe...

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Podrobná bibliografie

Hlavní autor:	Baillon, Jean-François
Médium:	Artigo
Jazyk:	Inglês
Vydáno:	Presses universitaires de Rennes 2013
Témata:	diaspora sud-asiatique Egoyan Atom cinéma canadien South-Asian Diaspora Canadian cinema
On-line přístup:	https://doi.org/10.4000/lisa.5554 https://hdl.handle.net/20.500.13089/i1a0 https://journals.openedition.org/lisa/5554
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