Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera

Early film theorist Ricciotto Canudo equated cinema with music because of the Seventh Art’s inherent plasticity; in the 21st century, plasticity extends to the soundtrack. In this article, I explore the fusion of cinema with the musical genre of opera. By considering that film is a performative medi...

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Bibliografische Detailangaben

1. Verfasser:	Chinita, Fátima
Format:	Artigo
Sprache:	Inglês
Veröffentlicht:	Université Bourgogne Europe 2022
Schlagworte:	intermédialité cinéma opéra musicalization bande son Othello Welles (Orson) cinema intermediality opera soundtrack
Online-Zugang:	https://doi.org/10.4000/interfaces.6307 https://hdl.handle.net/20.500.13089/h4iz https://journals.openedition.org/interfaces/6307
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