Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera
Early film theorist Ricciotto Canudo equated cinema with music because of the Seventh Art’s inherent plasticity; in the 21st century, plasticity extends to the soundtrack. In this article, I explore the fusion of cinema with the musical genre of opera. By considering that film is a performative medi...
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| Formato: | Artigo |
| Lenguaje: | Inglês |
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Université Bourgogne Europe
2022
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| Acceso en línea: | https://doi.org/10.4000/interfaces.6307 https://hdl.handle.net/20.500.13089/h4iz https://journals.openedition.org/interfaces/6307 |
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