No Suture: Screen Borders in Jim Jarmusch’s Films
IntroductionWhen we watch a film, do we mentally cross the screen border, like the heroine in The Purple Rose of Cairo (Woody Allen, 1985), and then remain in a closed fictional space until the end titles tell us to leave our seats, or remain conscious of the film being projected on the screen as a...
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| Formato: | Artigo |
| Idioma: | Inglês |
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SERCIA (Société d’études et de recherches sur le cinéma anglophone)
2022
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| Acceso en liña: | https://doi.org/10.4000/filmj.313 https://hdl.handle.net/20.500.13089/gb70 https://journals.openedition.org/filmj/313 |
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