The Availability of Jim Jarmusch’s Film-Philosophy: Wittgenstein, Derrida and Private Language in Ghost Dog: The Way of the Samurai
To date, film scholars have found the films of Jim Jarmusch to be tantamount to works of postmodern philosophy. For as intriguing and productive as such interpretations of Jarmusch’s films have been, I submit that the postmodern framework occludes a crucial aspect of Jarmusch’s film-philosophy, name...
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| Format: | Artigo |
| Język: | Inglês |
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Edinburgh University Press
2022-10-01
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| Seria: | Film-Philosophy |
| Hasła przedmiotowe: | |
| Dostęp online: | https://www.euppublishing.com/doi/10.3366/film.2022.0205 |
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