High culture and popular culture in Far from the Madding Crowd

The fluctuation between highbrow and lowbrow literature seems to be at the heart of Thomas Hardy’s career as a novelist, torn between success and artistic uprightness as he was. The early Far from the Madding Crowd (1874) represents a case in point of such a dilemma. Indeed, the spread of serialised...

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Manylion Llyfryddiaeth

Prif Awdur:	Blin-Cordon, Peggy
Fformat:	Artigo
Iaith:	Inglês
Cyhoeddwyd:	Association française sur les études sur Thomas Hardy 2016
Pynciau:	tragédie culture populaire érudition savant/populaire genre littéraire roman à sensation mélodrame pastoralisme tragedy popular culture highbrow/lowbrow genre sensation novel melodrama pastoralism
Mynediad Ar-lein:	https://doi.org/10.4000/fathom.529 https://hdl.handle.net/20.500.13089/gai4 https://journals.openedition.org/fathom/529
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