Dramatic Jouissance in Edward Bond’s Born
Edward Bond’s 2006 play Born is set in a police state, and is haunted by recurrent rattling sounds. The article suggests that these disturbances to audio visual synchrony may be used to stage Lacan’s ‘fluid’ relationship between signifier and signified, allowing audiences to encounter “radical point...
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| Hovedforfatter: | |
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| Format: | Artigo |
| Sprog: | Inglês |
| Udgivet: |
Laboratoire d’Études et de Recherche sur le Monde Anglophone
2014
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| Fag: | |
| Online adgang: | https://doi.org/10.4000/erea.3991 https://hdl.handle.net/20.500.13089/fv2e https://journals.openedition.org/erea/3991 |
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