Les romans du Wessex, une esthétique du regard
The novel was, in his own words, “gradually losing artistic form, with a beginning, middle and end, and becoming a spasmodic inventory of items, which has nothing to do with art.” (Hardy 1989, 309)He […] obliterates the names of the six counties, whose area he traverses in his scenes, under the gene...
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| Format: | Artigo |
| Idioma: | Francês |
| Publicat: |
Association française sur les études sur Thomas Hardy
2013
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| Accés en línia: | https://doi.org/10.4000/fathom.161 https://hdl.handle.net/20.500.13089/gaha https://journals.openedition.org/fathom/161 |
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