The Ulster-Scots Musical Revival: Transforming Tradition in a Post-Conflict Environment
This paper describes the Ulster-Scots Musical Revival which started in the late 1990s, and argues that neither Hobsbawm & Ranger’s conception of “invented tradition” nor Rosenberg’s theorisation of folk revivals as appropriations of tradition are adequate to understand this ongoing musical and socia...
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Presses universitaires de Caen
2013
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| Acesso em linha: | https://doi.org/10.4000/etudesirlandaises.3573 https://hdl.handle.net/20.500.13089/g625 https://journals.openedition.org/etudesirlandaises/3573 |
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