The Ulster-Scots Musical Revival: Transforming Tradition in a Post-Conflict Environment

This paper describes the Ulster-Scots Musical Revival which started in the late 1990s, and argues that neither Hobsbawm & Ranger’s conception of “invented tradition” nor Rosenberg’s theorisation of folk revivals as appropriations of tradition are adequate to understand this ongoing musical and socia...

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Bibliográfalaš dieđut

Váldodahkki:	Ramsey, Gordon
Materiálatiipa:	Artigo
Giella:	Inglês
Almmustuhtton:	Presses universitaires de Caen 2013
Fáttát:	Northern Ireland Ulster-Scots music collective identity cultural heritage Irlande du Nord musique identité collective héritage culturel
Liŋkkat:	https://doi.org/10.4000/etudesirlandaises.3573 https://hdl.handle.net/20.500.13089/g625 https://journals.openedition.org/etudesirlandaises/3573
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