Ghostly Surrogates and Unhomely Memories: Performing the Past in Marina Carr’s Portia Coughlan

In Marina Carr’s Portia Coughlan (1996) ghostly performances stage the unsettling effects of the past as it resurfaces in the present; of both individual memory and the cultural memory of female experience. Through application of Joseph Roach’s concepts of surrogation, genealogies of performance and...

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Autor principal:	Hill, Shonagh
Format:	Artigo
Idioma:	Inglês
Publicat:	Presses universitaires de Caen 2012
Matèries:	mythologie théâtre femmes - représentations artistiques corps Carr (Marina) drama women - artistic representations body
Accés en línia:	https://doi.org/10.4000/etudesirlandaises.3065 https://hdl.handle.net/20.500.13089/g610 https://journals.openedition.org/etudesirlandaises/3065
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