Ghostly Surrogates and Unhomely Memories: Performing the Past in Marina Carr’s Portia Coughlan
In Marina Carr’s Portia Coughlan (1996) ghostly performances stage the unsettling effects of the past as it resurfaces in the present; of both individual memory and the cultural memory of female experience. Through application of Joseph Roach’s concepts of surrogation, genealogies of performance and...
保存先:
| 第一著者: | |
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| フォーマット: | Artigo |
| 言語: | Inglês |
| 出版事項: |
Presses universitaires de Caen
2012
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| 主題: | |
| オンライン･アクセス: | https://doi.org/10.4000/etudesirlandaises.3065 https://hdl.handle.net/20.500.13089/g610 https://journals.openedition.org/etudesirlandaises/3065 |
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