Lo sguardo del cinema. Nota sull'ontologia dell'immagine filmica nel pensiero di Jean-Luc Nancy
The present essay seeks to analyze the reflections on cinematographic art proposed by Jean-Luc Nancy, referring in particular to his L’Évidence du film. Abbas Kiarostami (2001) as well as to other studies where the author reconsiders the concepts of image and gaze. The specifity of films lies in “ev...
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| Format: | Artigo |
| Sprog: | Italiano |
| Udgivet: |
Rosenberg & Sellier
2011
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| Online adgang: | https://doi.org/10.4000/estetica.1651 https://hdl.handle.net/20.500.13089/fyha https://journals.openedition.org/estetica/1651 |
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