“This isn’t tat. This isn’t bric-a-brac” (Phaedra’s Love): the Poetics of Things in Sarah Kane’s Theatre
The evolution of Sarah Kane’s work has frequently been considered as Janus-faced. The first plays are often classed as examples of the “In-Yer-Face theatre”, a theatre which shocks through strong language and violent images while the last two plays, Crave and 4.48 Psychosis, tend towards abstraction...
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Artigo |
| Teanga: | Inglês |
| Foilsithe / Cruthaithe: |
Presses universitaires de la Méditerranée
2008
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| Rochtain ar líne: | https://doi.org/10.4000/ebc.6015 https://hdl.handle.net/20.500.13089/fe8n https://journals.openedition.org/ebc/6015 |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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