“This isn’t tat. This isn’t bric-a-brac” (Phaedra’s Love): the Poetics of Things in Sarah Kane’s Theatre
The evolution of Sarah Kane’s work has frequently been considered as Janus-faced. The first plays are often classed as examples of the “In-Yer-Face theatre”, a theatre which shocks through strong language and violent images while the last two plays, Crave and 4.48 Psychosis, tend towards abstraction...
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| Format: | Artigo |
| Langue: | Inglês |
| Publié: |
Presses universitaires de la Méditerranée
2008
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| Accès en ligne: | https://doi.org/10.4000/ebc.6015 https://hdl.handle.net/20.500.13089/fe8n https://journals.openedition.org/ebc/6015 |
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