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Dissecting the Imperceptible

Encouraged by his museum experience as curator at the Mamco in Geneva, Thierry Davila offers us the recent history of the flipside of art, the one played out on the borderlines of the perceptible, where extreme tenuousness is presented as the actual motif of creation. His book, which is an offshoot...

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Bibliografische gegevens
Hoofdauteur: Kramer-Mallordy, Antje
Andere auteurs: Pleasance, Simon
Formaat: Artigo
Taal:Inglês
Gepubliceerd in: Groupement d'intérêt scientifique (GIS) Archives de la critique d’art 2011
Online toegang:https://doi.org/10.4000/critiquedart.1261
https://hdl.handle.net/20.500.13089/ella
https://journals.openedition.org/critiquedart/1261
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