Dissecting the Imperceptible
Encouraged by his museum experience as curator at the Mamco in Geneva, Thierry Davila offers us the recent history of the flipside of art, the one played out on the borderlines of the perceptible, where extreme tenuousness is presented as the actual motif of creation. His book, which is an offshoot...
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| Natura: | Artigo |
| Lingua: | Inglês |
| Pubblicazione: |
Groupement d'intérêt scientifique (GIS) Archives de la critique d’art
2011
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| Accesso online: | https://doi.org/10.4000/critiquedart.1261 https://hdl.handle.net/20.500.13089/ella https://journals.openedition.org/critiquedart/1261 |
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