Relocating the Functions of Chineseness in Chinese Popular Music after the China Wind
While the popularity of China Wind (zhongguofeng 中國風) music during the 2000s has waned somewhat since its peak, the notion of Chineseness in popular music requires reconfiguration. In the world of popular music, transnational flows of culture, migration, and capital have created various forms of Chi...
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| Hovedforfatter: | |
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| Format: | Artigo |
| Sprog: | Inglês |
| Udgivet: |
Centre d'étude français sur la Chine contemporaine
2020
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| Fag: | |
| Online adgang: | https://doi.org/10.4000/chinaperspectives.10068 https://hdl.handle.net/20.500.13089/dv9y https://journals.openedition.org/chinaperspectives/10068 |
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