Relocating the Functions of Chineseness in Chinese Popular Music after the China Wind
While the popularity of China Wind (zhongguofeng 中國風) music during the 2000s has waned somewhat since its peak, the notion of Chineseness in popular music requires reconfiguration. In the world of popular music, transnational flows of culture, migration, and capital have created various forms of Chi...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Centre d'étude français sur la Chine contemporaine
2020
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| Ngā marau: | |
| Urunga tuihono: | https://doi.org/10.4000/chinaperspectives.10068 https://hdl.handle.net/20.500.13089/dv9y https://journals.openedition.org/chinaperspectives/10068 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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