The Power of Interpretation (or How MoMA explained Guernica to its audience)
In 1947 the publication in English of the book of Juan Larrea, Guernica. Pablo Picasso, produced a great bewilderment in Alfred Barr, who was in charge of the collections of the Museum of Modern Art, New York. The interpretation of the Spanish writer radically contradicted what Barr believed correct...
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| 格式: | Artigo |
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CRAL - Centre de recherche sur les arts et le langage
2017
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| 在線閱讀: | https://doi.org/10.4000/artelogie.953 https://hdl.handle.net/20.500.13089/a3dp https://journals.openedition.org/artelogie/953 |
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