The Limits of Looking: Conceptualising the Frame in Ann Quin’s Berg and Christine Brooke-Rose’s Out
This article will consider the motif of the frame — conceived of as a device which isolates and presents that which falls within its bounds — in two experimental British post-war novels (Christine Brooke-Rose’s Out and Ann Quin’s Berg, both published in 1964) as a means of drawing parallels between...
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Société des Anglicistes de l'Enseignement Supérieur
2021
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| Matèries: | |
| Accés en línia: | https://doi.org/10.4000/angles.4398 https://hdl.handle.net/20.500.13089/9n1n https://journals.openedition.org/angles/4398 |
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