The Limits of Looking: Conceptualising the Frame in Ann Quin’s Berg and Christine Brooke-Rose’s Out

This article will consider the motif of the frame — conceived of as a device which isolates and presents that which falls within its bounds — in two experimental British post-war novels (Christine Brooke-Rose’s Out and Ann Quin’s Berg, both published in 1964) as a means of drawing parallels between...

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