The Tourist and “The One Who Waits”
To consider photographs as historical objects is necessarily to rediscover them in one of those bifurcations where, as Walter Benjamin proposes, the conscious and the unconscious—lived and unlived—come face to face. In convolute D of The Arcades Project, the chronological milestones the philosopher...
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| Format: | Artigo |
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CETCOPRA
2019
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| Online-Zugang: | https://doi.org/10.4000/am.1019 https://hdl.handle.net/20.500.13089/9ino https://journals.openedition.org/am/1019 |
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