Frederick Sommer et les conjugaisons photographiques du ramentevoir
When photography came into being in the nineteenth century, it was deemed a «mirror with a memory»: an apparently ideal combination of objectivity and permanence, it could be made to serve and illustrate a rhetorical view of memory, the age-old ars memoriae. American artist Frederick Sommer (1905-19...
Na minha lista:
| 主要作者: | |
|---|---|
| 格式: | Chapter |
| 語言: | Francês |
| 出版: |
Presses Sorbonne Nouvelle
2006
|
| 在線閱讀: | https://doi.org/10.4000/books.psn.7644 https://hdl.handle.net/20.500.13089/4jno https://books.openedition.org/psn/7644 |
| 標簽: |
沒有標簽, 成為第一個標記此記錄!
|