Frederick Sommer et les conjugaisons photographiques du ramentevoir
When photography came into being in the nineteenth century, it was deemed a «mirror with a memory»: an apparently ideal combination of objectivity and permanence, it could be made to serve and illustrate a rhetorical view of memory, the age-old ars memoriae. American artist Frederick Sommer (1905-19...
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| Formato: | Chapter |
| Idioma: | Francês |
| Publicado em: |
Presses Sorbonne Nouvelle
2006
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| Acesso em linha: | https://doi.org/10.4000/books.psn.7644 https://hdl.handle.net/20.500.13089/4jno https://books.openedition.org/psn/7644 |
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