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We Had Faces Then: Cinephilia, Warhol’s Screen Tests, and Tsai Ming-liang’s Late Digital Era

Taiwan-based director Tsai Ming-liang’s late museum-commissioned and “post-retirement” film and digital video works mark an important shift in the auteur’s approach to moving images. Tsai’s recent works have moved away from scripted narrative and more toward film and digital images as images in his...

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Hlavní autor: de Villiers, Nicholas
Médium: Artigo
Jazyk:Inglês
Vydáno: Centre d'étude français sur la Chine contemporaine 2025
Témata:
On-line přístup:https://doi.org/10.4000/14ujo
https://hdl.handle.net/20.500.13089/14ujo
https://journals.openedition.org/chinaperspectives/19147
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