We Had Faces Then: Cinephilia, Warhol’s Screen Tests, and Tsai Ming-liang’s Late Digital Era
Taiwan-based director Tsai Ming-liang’s late museum-commissioned and “post-retirement” film and digital video works mark an important shift in the auteur’s approach to moving images. Tsai’s recent works have moved away from scripted narrative and more toward film and digital images as images in his...
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| Materialtyp: | Artigo |
| Språk: | Inglês |
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Centre d'étude français sur la Chine contemporaine
2025
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| Länkar: | https://doi.org/10.4000/14ujo https://hdl.handle.net/20.500.13089/14ujo https://journals.openedition.org/chinaperspectives/19147 |
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